Arts&life Local nightlife in the dark Ongoing issues due to city bylaws driving out artists and venues = By AMANDA POOLE ocal activists are calling on the city to revitalize and recharge Vancouver’s enter- tainment nightlife scene. Limited event permits and liquor licenses for bars, combined with skyrocketing real estate prices, have caused small business owners and music artists to close their doors or relocate in order to keep musical culture in the city alive. Malcolm Levy, the moderator for Save Space: The Future of Vancou- ver's Nightlife, is bringing together culture and entertainment groups from Vancouver, Los Angeles and Amsterdam this week to discuss the city’s ongoing nightlife issues as a result of aging city bylaws and regulations. Levy said the lack of late night li- quor licenses for bars and entertain- ment facilities limit the availability of nightlife music and events. “Tf the club closes at 2 a.m. and people are still wanting to carry on, it means that they have to find spaces that are likely not as safe, not as conducive to their rules and regulations that are so important for people to enjoy themselves re- sponsibly,” Levy said. Ana Rose Carrico, the owner of Red Gates Arts Society, a local non-profit rehearsal and perfor- mance studio that is closing down due to developer renovations, said the city’s talented musicians are becoming endangered and will eventually have to move outside of Vancouver to continue pursuing their music careers if regulations surrounding event licensing don't change. Carrico said currently it’s difficult to get licensing for arts events that are located in places that aren't nec- essarily zoned for events. “You can only have three events a month,” Carrico said of arts spaces that are not zoned as event spaces, “So a lot of DIY venues would rather just not call attention to themselves and stay completely un- derground so avoid inspection and : ” review. Vancouver city councillor Heath- er Deal said the city can only do so much when it comes to changing liquor laws because they are regu- lated by the province. “We are looking at ways to make it easier to find places to perform in the city,” Deal said, adding that there are city music and creative plans underway. POSSIBLE NIGHTLIFE SOLUTIONS »Learning from other major cities such as Amsterdam »A nightlife advisory board that works with the City of Vancouver »More late-night transporta- tion options (i.e. Uber). SOURCE: MALCOLM LEVY, MODERA- TOR FOR SAVE SPACE: THE FUTURE OF VANCOUVER'S NIGHTLIFE EDITORLISA TANH | TUESDAY, MARCH 27,2018 | THE VOICE 7 PHOTO BY AGAZY MENGESHA Corrine Leroux has stayed away from traditional applications of stained glass art and instead focuses on modern expressions such as pop-culture characters. Stained glass back in style Artists: Colourful medium reaching beyond traditional uses = By AGAZY MENGESHA tained glass art is making a comeback beyond tradi- tional uses, says a local art- ist. Stained glass art, the act of co- louring glass by adding metallic salts and arranging individual piec- es to form a large image, was his- torically used in churches and other places of worship. Between March and April, Cor- rine Leroux, the founder of Awe- some Sauce Designs, who is hosting beginner and expert stained glass workshops, said her workshops and commissioned work have a modern twist. Corrine said they are making stained glass for comic conventions and fan expos, that feature comic book characters and superheroes. “From my perspective, it’s mak- Vancouver. John Gilroy, the owner of Gilroy Stained Glass on Barnard Street, said there is a demand to create ing a re- — — something “out surgence,” Mu . of the norm” Leroux From my perspective, through — stained said. “I've “sy . glass art. had quite It's making a For example, a a lot of in- local family asked terest in the classes. nf resurgence. ~ CORRINE LEROUX, FOUNDER OF AWESOME him to create a piece of stained Back in the SAUCE DESIGNS WHO HOSTS STAINED GLASS glass for their en- fall, they WORKSHOPS trance way. were fill- LL _ “The family ing up two wanted a real fine months in advance.” Leroux said because of the grow- ing interest, there have been an in- crease in places offering classes in art piece in their entrance way in their home that had a lot of Chi- nese themes in it — different types of plants and symbolism,” Gil- roy said. “They wanted something completely unique to them and told the story of their culture.” Gilroy said most of his clients ask for “out of the norm” work such as fine art paintings that generally take weeks and months to produce as a stained glass piece. “They wanted somethign com- peltely unique to them," Gilroy said. Colleen Lu, who attended one of Leroux’s workshops, said it would be nice if making stained glass art became as popular as it was in the medieval times. “It's something that I find very relaxing...which I don't think we do enough in our daily lives now,” Lu said. Learning facts with Award-winning children’s books combines tales and teaching = By DESIREE GARCIA ( } hildren’s books should use fiction to teach kids about science, history, and the world of facts, according to novel- ists and academics. In March, the West Coast Book Prize Society announced the final- ists for the 2018 BC Book Prizes. Under their Christie Harris Ilus- trated Children’s Literature Prize, four out of five awardees were authors who wrote children’s fic- tional stories that taught scientific and academic topics. Some of the awardees include Wolf Island by Nicholas Read and 4A Day With Yayah by Nicola Campbell, which tell the stories of wolves’ ecosystems and an indigenous family’s foraging techniques respectively. Ron Hatch, a publisher with Ronsdale Press on 21st Avenue, said combining fiction and fact is the most crucial part in making a successful children’s books, since most children will likely not pick- up a historical non-fiction book as a “good read. “(Children] want the historical information to be fascinating and exciting,” Hatch said. Elleke Boehmer, a literature and English professor at the University of Oxford and author of Nile Baby, said fiction is a potent teaching tool and a great way to introduce children and young people to big ideas they might not otherwise be exposed to. “If we think about how J. K. Rowling or J. R. R. Tolkien trans- mit to children about history and about rituals and traditions, it's obviously a very effective medium,” Boehmer said. Caitlin Jesson, manager of the Book Warehouse on West Broad- way, said books that focus on edu- cation are important. She said combining fictional ele- ments that allow kids’ imaginations to run wild is a necessary part of making educational topics appeal- iction ing for them. Jesson said books that combine education and imagination are al- ways in demand, and believes offer- ing children the chance to learn and to dream is an easy way to attract their attention. “Combining the two is just kind of a no-brainer,” Jesson said. Caitlin Jesson, manager of the Book Warehouse. PHo070 BY DESIREE GARCIA